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D.I.D until the Day I Die As you all know the Judgement Day is approaching, the day when D.I.D. will truly return. We've awaited it for quite some time now, this single is only but the messenger warning us of the impending storm of godly sound that is Akane and his disciples. W.O.D. II ____________ An interesting sequel to the ever so amazing and timeless D.I.D. original W.O.D., this second version retains all the same lyrics, but a different tune. I love its many tempo changes and the metalcore. Akane's growls are on point as usual aswell as his clean vocals, Tekede's drumming continues to slay especially the bass drum, as for Tohma he's gotten even better even though I never knew he could get more godly. As his skills were far amazing before, aswell as Aizawa. His Bass playing is solid and gritty i just love it! The guitar solo is fucking hectic, I can tell it took alot of work. (It even tops atheism's amazing solo.) I cant wait to see the music video for this track. ☆☆☆☆☆ out of ☆☆☆☆☆ FATAL ERROR RACE ______________________ The moment I've long awaited for.....has finally arrived at last it's here, the beauty that is difficult to bring to words. It is honestly love to the ears, for a song to be this well composed it's almost unreal. Akane's sweet voice returns, his alluring tone and demonic growls are present aswell as the flawless guitar work, the drumming is back with vengeance along with the bass. Oh god the chorus send's chills up my spine, those violins in the background just fill the tone ever so perfectly, this song is so symphonic, so tear inducing. D.I.D. is coming back, as they've come a long way and there is no turning back for them, only the progression forward. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆out of ☆☆☆☆☆

didn't do my eyebrows for a week, and #bae told me I look like a tired spanish soccer mom, feels weird :\ #rooting_4_jock_team_of_ur_choice this summer, tho. </3

Lycaon, right? :V

it is announced at NOCTURNAL BLOODLUST one-man live "銃創(juusou)" at Akasaka BLITZ at 2015/06/20 that their LIVE DVD will be released in 2015 autumn, which will include scene of that one-man live at 2015/06/20 btw they will hold their one-man live tour "THE ORIGIN" since Ikebukuro EDGE at 2015/09/12 and up to TSUTAYA O-East at 2015/11/03, their fan-club-limited one-man live "Merry Fxxkin' Xmas." at 2015/12/25 and their countdown one-man live "HAPPY HELL YEAR!! 2015-16" at 2015/12/31-2016/01/01 SET-LIST at 2015/06/20: SE.[my:Se]raphy 01.GENESIS 02.Punch Me If You Can 03.T.Y.R.A.N.T 04.Puppet Creature 05.DESPERATE 06.DEAD END 07.Obligation 08.UNBREAKABLE 09.Ignis heart 10.Sphere 11.Resurrection 12.Trigger 13.PROVIDENCE 14.I-V-III 15.VENOM EN1 01.銃創(juusou) 02.Pleasure of Torture 03.Liberation Natsu drums solo Masa bass solo Daichi guitar solo Cazqui guitar solo 04.Empty Glass 05.V.I.P EN2 01.Strike in fact 02.A Day to Re:member 03.A bullet of skyline

Artist: cali≠gari Album: 12 01. わるいやつら (Warui yatsura) 02. 脳核テロル (Noukaku Terror) 03. 颯爽たる未来圏 (Sassou taru mirai-ken) 04. セックスと嘘 (Sex to uso) 05. トゥナイトゥナイ ヤヤヤ (Tonight Toniyayaya) 06. ギムレットには早すぎる (Gimlet ni wa hayasugiru) 07. とある仮想と (Toaru kasou to) 08. 紅麗死異愛羅武勇 (Crazy I Love You) 09. バンバンバン (Ban Ban Ban) 10. フィラメント (Filament) 11. あの人はもう来ない (Ano hito wa mou konai) 12. さよならだけが人生さ (Sayonara dake ga jinsei sa) Rating: | A fine achievement from the masters of weird. When I heard the sad news that long-time drummer Makoto was out of cali≠gari, the future did not seem very bright for the band. At least, that's what I thought. cali≠gari have been kind of slacking off in terms of releases these past few years anyway – sporadic activity, lots of live-only and fanclub-only cash grabs, you name it. I, however, cannot hate them no matter what they do, as long as they deliver quality tunes I can get into. This album continues to prove that statement right, while at the same time asserting that they remain a force to be reckoned with, even as a three-piece. 12 is another typical cali≠gari full-length (as much as you can call such a quirky band 'typical'), packed with catchy melodies and occasional crazy outbursts. The band manages to find a decent balance between those two extremes. Gone are the days of totally mental freak-outs, like "Hakkyou Channel" for example, but they can still pack a punch when needed. Case in point, take the frantic trance-like pummeling punk of an opener "Warui yatsura", or the follow-up track "Noukaku Terror." These filthy little beasts contrast well with the album's brighter and airier compositions such as the gorgeous revamped version of "Tonight Toniyayaya" (proving that the creative juices are still flowing) or the sweet closing track "Sayonara dake ga jinsei sa", reminiscent of another old tune of farewell, "Good Bye." The best bits of 12, however, are the instances where the band isn't afraid to openly show their love for '80s new wave and pop nostalgia. Songs like "Sex to uso", "Gimlet ni wa hayasugiru" and the like are characterized by big fat slappin' bass goodness, twinkly synths, sharp cleaned-up guitar tones and… is that saxophone I'm hearing?? Clearly, they spared no creative expense when arranging these fine pieces of 'updated throwback' music. There’s even a nod towards a sort of proto-VK atmosphere (very much like what they did around 1998-1999) in tracks like the swift "Sassou taru mirai-ken," the post-punk tinged sax-o-rama of "Crazy I Love You", and the aforementioned "Sayonara…". Altogether, these colorful elements make this full-length both enjoyable for hardened, long-time cali≠gari fanatics and those new to the band's curious antics. Overall, 12 paints a picture of a band of 'professional eccentrics' who still know how to rock out as well as craft some interesting songs. The days of youth are gone, of course, so one mustn't expect an onslaught of all-out craziness. They more than make up for that with a big bunch of catchy moments that blends their past styles and influences into a powerful mixture that sounds anything but dated. In short, this is probably the best cali≠gari has done since their comeback. I cannot wait to see & hear what the future holds! Support the band! 12 @ iTunes (Jp) 12 @ CDJapan 12 @ Yesasia

Also, there is a fairly easy was to trim $139.89 off of that list XD

Damn I'd love to hear the studio version of KIDS WAR

What a way to come back! I can't really remember the original version of W.O.D. but this installment is just truly badass with its all-out heaviness. Some great tempo changes here and there, and impressive string-work (especially those little bass noodlings). Slayed me hard. It's nice to finally listen to Fatal Error Race as well, albeit it's in demo form. Even so, it still packs a punch, in typical heavy-but-melodic D.I.D. fashion. Can't wait to hear the finished track with a proper bangin' production. A solid lil' goodie from these guys, hope they'll be able to be more active from now on. |

But we photo-documented the nice cakes we've been eating! Apparently Versailles-leftover bands have a tendency to bring MH-ers together.

DADAROMA Live video - MONEY - モルヒネ＃２ - KIDS WAR

new 40 minute game play demo from E3 2015 https://www.youtube.com/watch?v=heohAR-Ov4s man every single time I see this game I get more and more excited for it, I'm so glad this is about to come out in less than 2 and a half months.

I got the job. But I got a mail yesterday and they've put me up working with the new first graders. Why the fuck do they want me to work with the kindergarten kids who just started on school is beyond me. They're too small. Way too small. Give me someone older to work with. Christ.

btw that beautiful painting is by Tobias Kwan, check out his other artworks, he's very good http://tobiee.deviantart.com/art/Motherland-Chronicles-33-Nesthead-II-416738271

I am not a big fan of what they have been doing lately. Their songs are a little shallow to me, and a lot of their music is a complete copy of BugLug. This song is HicchakaxMecchaka with little changes and a different tempo, plus other BugLug styles. They should be themselves more, I don`t see the point in being similar to a band that is currently far more skilled in musicianship, song-writing and on a much better label then them, if they don`t offer something different. I think they could be a good band if they did their own thing more and grow as that. No offense intended to fans, just my thoughts. Here is BugLug for comparison:

On June 6th, Kamijo returned to New York. This was the first time he's performed here since 2008, shortly after Noble was released, and I was thrilled to have been able to attend both shows. Like many others have already shared, the set was a mixture of all of his past bands as well as some of his solo material mixed in arbitrarily. But does his grace hold enough stage presence to really dominate the stage on his own, or is visual kei still just enough of a novelty that we'd really just pay to see anyone here? The concert started at 8pm. I had purchased VIP tickets for an exclusive chance to meet the leader of Le Roi himself, which meant I needed to get there early. Luckily, fellow concert goer and ORZ member @ShanethVarosa got there around 3 an were about 10th in line (or in queue as other bizarre dialects refer to it). It took about an hour for other fans to really start showing up, but that meant we got an early shot at getting some merchandise, a topic I'll breach shortly. The American / Canadian fans looked as I had expected: all different shapes and sizes, mostly of European decent with a handful of Hispanic and fans who actually flew in from Japan to follow him around the world (hmu if you're that rich pls), and one (1) girl who looked like she was from India or Pakistan. Just about everyone had some sort of unnatural hair color and dressed like the Tim Burton inspired crowd from high school I have tried rather hard to distance myself from. Corsets and pin stripes galore. One girl had thick white foundation, a corset that cut her waist size in nearly half, and tight leggings that probably, but not really, justified her going commando. This was all topped off with a Jasmine inspired forehead jewel between her eyes. Decorum of this nature was more or less the standard for the show-goers. Several people dressed up in more rococo-esque outfits, such as a girl in tall boots with long, tight, curled extensions like Maribelle from Fire Emblem and a Moi-même-Moitié purse that was very on point. Another girl had a fairly exact replica of Hizaki's dress from Holy Grail era Versailles that was very well made, and a wig to match. Unfortunately, she wore absolutely no makeup so I wouldn't consider this a cosplay so much as akin to just coming dressed like Hizaki. Michelle Visage would say the same, as well as wonder if this outfit was supposed to be shade. After the initial shell-shock of being the only pedestrian in the vip line, the management staff came out and split the line 1/8th to 7/8th since we were blocking the entrance to a local business. Before 5, the vip must have been well over 100 people, with the general admission starting to fill up. We were told that we could go in at 5, but someone allegedly forgot their costume at the airport and delayed the whole night by half an hour. During this time of standing around and trying to explain to middle aged white folks walking passed what "a kamijo" was, two girls were walking around with an American flag bedazzled with Kamijo crest in the middle of the stars, asking fans to sign it. I wrote "thank you for coming to America (アメリカに来ていただき、ありがとうございます。)" and signed my name in Japanese-- after Google translating it of course because I haven't written or used Japanese grammar in about 3 years now. She still complimented my handwriting, though, and was surprised it was legible *tongue click*. After the show, Kamijo took this flag and danced around with it, at one point with it covering his entire head like a little kid pretending to be a ghost with his bedsheets. I suppose he liked it, as he thanked us for about 4 minutes straight. I should have left my number, but didn't think of that until way after... Somewhat early on, an Asian woman came out of the venue and started pulling in people, five nerds at a time. Eventually it was explained that this was for buying merch as they'd much rather we buy things before the show, rather than after as people were leaving. Shane and I went up and saw the rather small selection of goods available: red Kamijo live strong-ish bracelets, 3 different kinds of t-shirts, a photo set, a photo book, and a poster. Overall, the selection was lame. They only had 1 size of each shirt, the bracelets were $10, and I was really hoping he would sell his upcoming albums early. I ended up getting a poster and a photo set, since those were actually both quite nice. The photo book was also gorgeous, but I would have wanted to scan it for ZombiexJuice and didn't feel that spending $40 on a book I would ultimately destroy was a smart investment. At least the line wasn't super long at this point, but I had @Zeus hold my spot in line before he had to leave for some sort of prior engagement, making him 2 school 4 cool to go to this concert. After hours of waiting, they eventually called us in to come upstairs in the club to line up for the meet and greet. This was the moment I had been waiting for: my heart was pounding in my ears and my hands started sweating. Almost immediately my boredom from standing outside and having to talk to Shane vanished as I climbed those stairs because -he- was lurking around, somewhere, waiting. The whole time Shane is panicking and telling people he's going to die, which didn't help the fact that I have a nervous pee reaction. Perfect. I meet one of my idols and all I can do is pee on him. After a few minutes of more waiting, people start getting called into the hallway, with the staff closing the door behind them. I knew -he- was there and I'd began rehearsing what I had wanted to say to him. 2 years of standing in front of a class and reciting dialogs in Japanese had led me to this moment. Soon enough, it was my turn. I round the one door the staff kept closed and there he was: standing, waiting, hair all fluffy with a big crow feather shoulder accoutrement and blue contacts, waiting for his 12 seconds of acknowledging my existence. I shyly came over to him and he said "picture picture" and stuck out his hand. I shook it (I think I was supposed to?) and they took my picture with him. He posed, I tried not to look frantic. We had a moment. After, I had my chance to actually say something. In my most rushed Japanese I said "私はニックと申します。どうぞ宜しくお願いします。(watakushi wa Nikku to mou shimasu. Douzo yoroshiku onegaishimasu)" which is hyper formal Japanese for "hi I'm nick." He just kid of nodded and smiled and the photographer was pretty much getting his assistant to drag me away from him since I exceeded 12 seconds. I did it, kids! I then stumbled downstairs to the stage to then wait for another 2 hours, all while staring at my checki and genuinely not processing what just happened. The venue itself had seating on both sides of the stage, but most people stood in front. I managed to get right up front, stage right, and secured my spot for the whole not (with the exception of switching spots so my short friend could see over me (not Shane, although he is fairly petite )). Slowly the venue started to fill in. The entire room never ended up completely packed, but upwards of 400 people were standing. The show finally started at 8. It began with a montage of Kamijo videos and pictures throughout his career, culminating with the band walking out on stage and beginning with the Versailles hit "Masquerade." Just wanted to give a little shout out to @sai here because he did the "haters gunna hate" walk during it. The energy was amazing and the presentation and delivery was just as good as the studio version. It was also really nice to get the chance to see Masashi perform live, as I've only seen the band when Jasmine You was still alive. While this isn't exactly the same as seeing Versailles, the main spirit of the band was there. For this show, he brought with him Meku (of Aim / Galyd), Shin (he plays drums idk), Masashi (of Versailles / Jupiter), and Daishi (of [MU:]). As the music died down, he stopped and said "NEW YORK. Long time no see!" followed by "BONJURRR BONJURRR" back and forth with the audience for an uncomfortably long time. After Masquerade, Kamijo continued to perform a mixture of past singles that he had written. Just wanted to give a shout out to [u Early on he played "Shout and Bites," which honestly threw me since I wasn't expecting any indie material at all. He also played one of my favorite Lareine songs, a slightly revamped version of "薔薇は美しく散る." Unfortunately, the only people in the audience that were feeling that song were me and this guy who gave Kamijo a bouquet of blue roses, but you can't expect everyone to have taste. I believe his fourth song was "Phantom," by New Sodmy. This is one of his lesser known bands, as they were only around for about a year. I haven't listened to them much, but they sounded like Lareine to me without the symphonic aspects. This song was alright, but I spent most of the time it was playing trying to figure out what song it was. As I don't remember the tracklist order, my description of what comes next is going to be on a fuzzy timeline. At one point, he played what seemed like new version of "冬東京" (Fuyu Tokyo) which was needed as there are now two guitarists instead of one. I never really paid much attention to this song before, but I am now really into it. "Why don't you touch my heart, cause it's a sentimental night? Fuyu noooooooooo Tokyo deeeee~♫." I'm not sure if the version they played last night is going to be the same to be released on Royal Blood, but then again I wasn't really familiar with the song to begin with so it could have very well been the same song with less nasally vocals. Kamijo also performed "fiançailles" during his little Lareine section, which apparently is the most famous Lareine song in terms of last.fm and sales? Who knew?! I was a little disappointed, however, because throughout this whole section clips of various Lareine music videos were being played. The video started with a section of "Metamorphose" and I prematurely "yaasssss'd" on the inside before I realized it wasn't actually that song. There was a little jam session after the Lareine tribute was finished in which Kamijo walked off stage. Once that was finished, everyone else left and Kamijo came out and sang "Love Will Be Born Again" in Japanese. I thought this was Sympathia at first, but then I remembered Hizaki wrote that song and I'm awful at being able to tell ballads apart. This set was really nice, as it was one of the main points where it felt like Kamijo stood out, especially in deep blue lighting. This isn't to say he was overshadowed throughout his performance, but his guitarists were at the edge of the stage quite frequently and he treated them as real members of the show, rather than having them stand in the back wearing all black while he pranced around up front. Like the rest of his shows, the next section of the performance was playing "Symphony of the Vampire" in full. This was great live and it seemed to flow much better with him singing it in front of me than it does on my iPod. My favorite part was still "Royal Tercet," but I have a new appreciation for "Throne." During this part of the show, the background video changed to a thrown with his symbol above it. Towards the middle of the album, the crest turned into blood and bled down the wall it was hung from. Very edgy. After Symphony of the Vampire was finished, he ended his main set with "片手に夢を持つ少女." This makes for a great hype song live, and the support members seemed really into it as well since they were probably partially the ones who recorded it on the CD. I'd like to point out that for the most part, I was in front of Meku. He never reached out into the audience, which was very frustrating, and always had a tough act on to try to be cool, I suppose. He managed to nail Hizaki guitar solos with no effort, even with a bit of the masturbatory twitching at times, but for the most part he wasn't as energetic as I was expecting. "片手に夢を持つ少女" was the first time I really saw him light up. The band then left the stage and the room fell dark. They kept us there for about 5 minutes before another Kamitage began playing on the screen, this time with audio, of clips of all of most of his major music videos--"Metamorphose," "fiançailles," "冬東京," "Billet～幼き夏の便箋～, "Ascendead Master," "Philia," "Destiny-The Lovers-," "Masquerade," "Vampire," "Louis," "Moulin Rouge," "Yamiyo no Lion," and "Heart." For whatever reason, he completely ignored "Truth," even though that was through Warner as well. The group then reentered the room and began moaning along to "Bastille." The crowd got into this song and, as I said when I first heard it, was really a live song. His encore also included "Moulin Rouge," which he started off the song with "Let us all dance together!!!" as the club lit up in various colored lights so people could actually see each other, and "Aristocrat's Symphony." The last song was a blast for me, as it's been 6 years since I've been able to see it performed live. It wasn't as good as when Versailles played it all together, as only 1 of 5 people on the stage really had any connection to it, but I enjoyed it nonetheless. When this was all said and done, Kamijo thanked each of the members individually, then thanked the audience for a good 2 or 3 minutes. Then, as I said earlier, he got his signed flag and pranced around with it before thanking us some more. He was truly happy to have performed here and seemed happy with the turn out. He then left the stage and probably went to go count all the money he made by charging $120 for VIP tickets for a 10 second photo with him. All in all I had a really great time at Kamijo's show and I would definitely see him again. My only gripes with the night were things not entirely related to him and that I wished the support members and himself would have interacted with the audience more. Sure, Kamijo directed us with what sort of hand motions he wanted, but I wanted him to reach out and fondle people's faces (he did it to one girl. I could have been the one, god damn it) or grab their hands...anything! If Kaya can lick people's hands while singing, I don't see why he can't stage dive or something. Another thing I would have changed would have been the encores: it would have been cool if he ended with "Heart" or "God Palace," and I'm genuinely surprised he didn't play "Louis" or "Yamiyo no Lion" at all, but that might have been because this was a history tour. Vive le Roi!

at least we still have MERRY to listen to these days if we want more 9mm : ^ )

I don't think you meant to do this but this is so nightmare inducing.

Oh, ok I understand. Thank's ^^

The line up was always meant to change with different releases. Except Ruka.

I think they need another 'summer singles' era. While I appreciate the new look, etc. Im still hesitant about the outcome. If they make another boring album like BD and that album before it.. Division is it? I'm going to freak balls. They have such talent and usually appreciate their work but the last few albums have been a bore (I didn't mind Toxic, tbh).

Nice review, boy. Tried the song though and thought it was awful. Not my cup of tea at all. I do remember appreciating some of their older albums, though.

no, everything you and your crew try to say, just come outs that filthy hole of yalls. man that's one nasty bug yall got.

session "悪魔鬼茶(akuma kicha)" will perform at Ikebukuro BLACK HOLE at 2015/06/25 "悪魔鬼茶(akuma kicha)" members: Vo.優雅(yu-ga) (GOKIBURI) Gt.一斗(kazuto) (GOKIBURI) Ba.ruchi (ex-DOLLARS) Dr.Majyu (SHAPE SHIFTER)

Now I'm feeling it. This is way better than their previous stuff and has a style completelyy different from their previous bands, which is interesting. Their vocalist is looking a lot like Juka, tough.

Great album. Love that the last two tracks sound like they're from 18 years ago

Excuse you, that whiny voice is perfection.

Ew.

rikuto please come back with a new band ;w;

#heavily_breathing I'm literally feeling the art-direction for this album tbh, it's the best from everything I like rn which is illuminati symbolism, Brom, and american golden age illustration mashed together with amazing weave delivery

Credits: Gazette Fan's

The yearner, holding my waifu bodypillow #5everalone

Dressed to kill.

for all cat owners I feel we need an "around the cat" option because let's face it you don't want to be moving them xD

Thanks for the help! I will try that They have some old and rare An Cafe CDs and I don't find it very expensive tbh but I agree some of their stuff is a bit overprized.

I like it. I'm pretty sure that's him in the bottle.... naked

lmao that's the entire point, it is the first visual kei album teaser ever featuring team and effort that went into production. I was quite pessimistic about dogma, and there's probably gonna be a shit ton of filler anyway, but aesthetics wise it's a perfect VK album for 2015. I can't believe how much effort sony is putting into selling a local Japanese act of this scale atm. inside of tomomi ozaki bank savings account annual stats, dove

can we talk about the ridiculous price of 2160 yen for 3songs ? XD

Phantasmagoria and KISAKI PROJECT, for obvious reasons. Syndrome, MIRAGE, LAREINE, E'm～grief～, ネガ, Megaromania, ヴィドール, Vior gloire, NightingeiL, アヲイ, Malice Mizer with Gackt (let's consider them gone, really). And I might add Versailles to this, for Kamijo is just doing too well on his own to be continuing his previous band. With most of these bands I grow melancholic and sad during listening sessions for no other reason than that among these are my absolute favourites. My common taste revolves around but a few considerable musicians in this scene and one in particular (we need narrate no introduction) has a habit of travelling around. Kisaki has left behind an arsenal of nostalgia and with each listen I feel myself growing closer to his music, regardless the project he was involved in during that period. I doubt he'll be willing to leave the scene anytime soon, but there is always the fear of him growing out of his current project and that will simply sting again once it happens, although I do not fear for his future all that much (aside from his health). Beyond that, UNDER CODE PRODUCTION has felt like my home since stumbling upon the label. Its dissolve has torn me and to see all these wonderful musicians scattered across the scene —or having disappeared entirely— just feels like... growing up. Children 'leave the house' eventually, and I believe the label has been a place where a lot of these men could grow up before they set out to explore new things, and new lives. I'll never forget how close of a community UNDER CODE was to me, how much of a family, not only among fans but including the musicians as well; I felt close to each and every one of them, I loved and still love each and every one of the people who have been involved in this beautiful project, and I will never forget its legacy.

-UN- and -DUE-? ... DEUX? I don't see the connection between UN et DUE lmao.

their members new band "トランスノート(trance note)" will hold their first live at Takadanobaba AREA at 2015/01/25 "トランスノート(trance note)" members: Vo.雀夜(suzuya) (ex-螺紗蝣々(rasharuru)-->Delmetor-->姫苺(himeichigo)-->the LEM-->Lips) Gt.イザナ(izana) (ex-fura-neve-->ヴァロア(valois)(楓/kaede)-->ぱとらっしゅ(patrasche)) Ba.真悠(mayu) (ex-SCANDAL-->ハルシオン(halsion)-->ぱとらっしゅ(patrasche), now ERIZA(support)) Dr.琉霞(ruka) (ex.-Di:S;CorD--->姫苺(himeichigo)-->RUVISH)

Original songs? ohgodpleasebecomeabandplease

輝いて…「眠れ！子羊達」 Kagayaite... 'Nemure! Kohitsuji-tachi' Shine... 'Sleep! Little lambs' 眠れぬ夜　幾つ数えたら　二人堕ちて行ける？ Nemurenu yoru How many sleepless nights Ikutsu kazoetara Do I need to count Futari ochite yukeru? Until the two of us fall down? 鏡の前　怯えていた僕が…そっと、問いかけた Kagami no mae Standing before the mirror Obieteita boku ga... sotto, toikaketa Frightened I... asked myself that question quietly 眠れぬ夜　また一つ数えたら二人辿り着ける？ Nemurenu yoru If I count one more sleepless night Mata hitotsu kazoetara futari tadori tsukeru? Can the two of us finally reach our destination? 時計の針　秒針　刻み僕は君を探す Tokei no hari The clocks needle Byoushin The sweep hand Kizami boku wa kimi o sagasu Ticking away I search for you 今迷える子羊の様に導く術を求めあおう Ima mayoeru kohitsuji no you ni michibiku sube o motome aou Like little lambs that lost their way let's try to find the path that leads together この両腕〈リヨウテ〉差し述べて　貴方と溺れるのなら… Kono riyoute sashinobete Reach out both of those arms Anata to oboreru no nara... If I were to drown with you... 「終りの無いこの夜に　導く術を求めあおう 'Owari no nai kono yoru ni In this night that has no end Michibiku subu o motome aou Let's try to find the path that leads together この両腕差し述べて　貴方と溺れるのなら…」 Kono riyoute sashinobete Reaching out both of those arms Anata to obore' Drowning with you' 「この暗闇に二人で　灯火を揚げよう… 'Kono kurayami ni futari de The two of us in this darkness Tomoshibi o ageyou... Let's raise a flame... 君の血を、汗を、涙を、僕に永久の光を…」 Kimi no chi o, ase o, namida o, boku ni towa no hikari o...' Your blood, your sweat, your tears, an eternal light to me...' Ah―月夜　僕を包んで Tsukiyo Moonlit night Boku o tsutsunde Encompass me Ah―星よ　優しく灯せ　太陽の鏡となり Hoshi yo Stars Yasashiku tomose Light quietly Taiyou no kagami to nari Next to the suns mirror Ah―夜空を　二人包んで… Yozora o Night sky Futari tsutsunde... Encompass the two of us... 　 ―君よ　僕を包んで… Kimi yo You Boku o tsutsunde... Encompass me... ひとつになり「輝いて…」 Hitotsu ni nari We'll become one and 'Kagayaite...' 'Shine...'

Interesting. I wonder what their style will be like.